Create Pro Mixes
The Most Sought Audio Membership In The Entire Music Industry
For Creating Life-Fulfilling Mixes That Sound Better Your Favorite Artists

How to Mix Female Vocals

When mixing female vocals the main thing you need to keep in mind is how the pitch has shifted upward, and what this means for important frequencies. For example, the ranges for vocal clarity and sibilance have likely shifted higher, meaning you’ll need to equalize the vocal differently.


Get a FREE Mastered Sample of Your Song ➜


Understanding Formants

Typically speaking, female vocals have different formants our clusters of frequencies, that are typically higher in pitch due to a smaller vocal tract. If you’re used to mixing male vocals, you may need to re-access which frequencies you boost or attenuate since these will likely be different.

We can simulate the effect of formants on the overall timbre of the voice - even if the pitch isn’t shifting, altering the timbre will make the voice sound higher in pitch. Let’s take a listen to this using a formant plugin.

Watch video example

Higher Fundamental

Female vocals will usually have a higher fundamental frequency - meaning we’ll need to consider how we affect the low-frequency range. A female vocal may have a fundamental higher than 350Hz, meaning we can use a higher high pass filter to cut out rumble, without worrying about affecting this note.

With that in mind, let’s introduce a high-pass filter with a high slope, and notice how high we can increase it without cutting into the actual performance.

Watch video example

Unique Sibilance Frequencies

Similar to our last point, if the full range is shifted upward, this will affect other aspects of the vocal, like sibilance. Whereas sibilance is usually located between 5kHz and 8kHz for most male vocal recordings, they’ll be around 8 to 12kHz for female vocals.

This isn’t always the case of course, but 10kHz is a good place to start when de-essing a female vocal.

Watch video example

Fixing Thin Female Vocals

Due to the higher fundamental, female vocals may sound a little thinner than usually - if that’s the case we can use a sub-harmonic generator to create frequencies below the fundamental. I’ll use LoAir to create a subharmonic frequency, and subtly blend this in with the original vocal.

If this is too loud it’ll sound really artificial, however, subtle settings work well.

Watch video example

Diffusing High Frequencies

This is a bit of a weird trick, but if you’re finding that your highs are too intense and you’re having trouble controlling them even with de-essing, try diffusing them with a reverb plugin. To do this I’ll use the Pro-R and isolate the reverb to the highs.

I’ll use a room emulation and set the mix super low - this will cause reflections to my highs which diffuse the sound.

Watch video example

Increased Importance of Oversampling

If you’re mixing vocals, odds are you’ll use saturation to make the vocals sound full. Since female vocals are often higher in pitch, distorting them will cause higher frequency harmonics to form, which increases the likelihood of unwanted aliasing distortion, since a harmonic could go above the maximum support frequency.

To avoid this all you need to do is turn on oversampling.

Watch video example

Adding Intelligibility and Clarity (600Hz, 3.5kHz)

Earlier we talked about how higher pitch vocals shift everything upward, and this is definitely the case with important frequency ranges. For example, if I want to increase vowel intelligibility, instead of boosting 500Hz, I may boost 6 or 700Hz - or for clarity, I may boost 3.5kHz instead of 2.5kHz.

Every vocal is different so just use your ears, but keep in mind that important ranges will likely have shifted higher.

Watch video example

Flattening Female Vocals

It's difficult to say exactly why this is, but I find that female vocals sound better with a flatter frequency response. That said, lots of microphones will hype the highs and lows, so if you’re finding this is the case, lower these ranges first and see if it improves the sound.

An intelligent EQ is a good first step since it’ll flatten it dynamically, but a regular EQ will work well too.

Watch video example


Get a FREE Mastered Sample of Your Song ➜



‎ ‎

So, Why A Membership?

Let’s face it — trying to create pro mixes without the correct knowledge, tools, services, community, and network is like playing a concert with a broken instrument to an audience of no one.

That’s where the Sage Audio membership comes in — the membership gives you everything you need to create pro mixes consistently.

The membership is the secret to your success — it’s the difference between the 1,929,999,999 of poor-sounding mixes and the .00000002% of mixes that make people say 'WOW!"

There are 4 unique value-points and 5 additional bonuses included with your Sage Audio membership. Let’s go over each one so you can decide if the membership is right for you.

1. Sage Audio University

$8,900 | Member Price = FREE

I Want To Join The Membership Now

2. Unlimited Mixing Feedback

$5,800 | Member Price = FREE

I Want To Join The Membership Now

3. Private 1-on-1 Mentorship

$12,500 | Member Price = FREE

I Want To Join The Membership Now

4. 50 Free Mastered Songs Per Year

$4,700 | Member Price = FREE

I Want To Join The Membership Now

Bonus #1: Weekly Live Chats

Member Price = FREE

I Want To Join The Membership Now

Bonus #2: Mixing and Mastering Competitions

Member Price = FREE

I Want To Join The Membership Now

Bonus #3: Community

Member Price = FREE

I Want To Join The Membership Now

Bonus #4: 70+ GB of Curated Sage Audio Downloadable Content

Member Price = FREE

I Want To Join The Membership Now

Bonus #5: 700+ Video Catalog

Member Price = FREE

I Want To Join The Membership Now

Create Pro Mixes
The Most Sought Audio Membership In The Entire Music Industry
For Creating Life-Fulfilling Mixes That Sound Better Your Favorite Artists