Digital recording is the process of converting your music performance into a digital audio file on a computer. This is done using an analog to digital (A/D) converter, often called an interface. Recording is the bread and butter of the music production process and there are practically unlimited ways as to how it can be done. From everything to mic placement techniques to new gear and how to use it, our aim is to give you practical tips you can use to make better recordings in your studio. Generally, recording audio can be broken down into two categories: analog and digital. While digital is by far the most popular and cost effective today, some producers prefer to still record using older analog formats, like tape. They do this because they feel it makes a warmer, fuller sound. There is some truth to that claim, but digital recording still sounds good and is also in a state of evolution as high fidelity audio systems have become more commercially appealing and affordable. We hope to cover both types of recording for you, but will talk about digital recording primarily because it’s more prolific.
Quick Answer 10. RME Babyface Pro 24-channel USB Audio Interface 9. Roland Studio-Capture USB Audio Interface 8. TASCAM Celesonic US-20×20 USB 3.0 Audio Interface 7. PreSonus Studio 1810c USB-C Audio Interface 6. Peavey PV 6 v2 Mixer with USB 5. Universal Audio Apollo Twin MKII SOLO 10×6 Thunderbolt Audio Interface with UAD DSP […]
Quick Answer A recording engineer is responsible for recording during the tracking and overdub sessions of the recording process. A recording engineer needs to have a comprehensive understanding of acoustics, tape machine or DAW operation, gain staging, mic placement, and microphone types, and the studio gear used for recording. What is a Recording […]
Quick Answer A Music Producer contributes at least one of the following to the production of a song, EP, or album: Overview and organization, music performance, tracking, mixing and effects processing, and coaching and inspiration. Being a music producer means knowing how you can positively affect the music production process. What is a […]
Audio formats can become complex pretty quickly. There are a lot to choose from, and picking the best one for your professional audio needs, or just for casual listening can easily become daunting. Fortunately, there are ways to determine which audio format is best for you. We’ll be ranking the top 10 audio formats […]
This is certainly not the easiest question – but one that deserves speculation nonetheless. Since music is such an integral part of our daily lives, to ask “what is the future of music?” is really to ask a question about ourselves, and how music will continue to shape how we live. The future of […]
Quick Answer: Releasing a song is no easy task. For many the thought of having to plan a complex release for a song, EP, or album is overwhelming. That’s why it’s important to understand everything that goes into creating and releasing a project, prior to diving in. A song starts with inspiration and writing, […]
If we’ve heard it once, we’ve heard it a hundred times – don’t record too hot in a digital recording set up. The reason for this being, that by doing so, you’re limiting your headroom. But is this truly the case? Does recording hotter really mean you won’t have any headroom? Furthermore, could there […]
Lo-fi can be difficult to define. It’s typically something you can identify once you hear it. Simply put, lo-fi is a production sound or style opposite to what we perceive to be a high quality recording. Since recording technology is changing, and we base our notion of high definition on the recording technology […]
Sampling and pitch shifting often go hand in hand. Altering a sample’s pitch to give it a unique characteristic is great in theory. But, if used excessively, the quality of the sample can degrade quickly. With a bit of planning, and the use of a 96kHz. file, clean pitch-shifting can be accomplished. Alter Your […]
There’s a fair amount of talk in the audio world, regarding how to minimize the negative effects that jitter, electric pops, hisses, and plosives can have on a recording; however, little is said about an issue that is far more pervasive than any of the aforementioned noises. It’s so rarely mentioned in articles or […]