Pro Tools is the industry standard recording software. Avids biggest change is that it has completely redone the audio engine. Here is a review of Pro Tools 11.
Apple released Logic Pro X after four years. Logic Pro has always been talked about when it comes to recording software. We take a look at the new features of Logic Pro X.
Avid offers both the Fast Track Solo and Fast Track Duo. Both offer great mobile and home studio recording options. The Fast Track Duo is practically the same as the Solo but offers a few more features including two combination XLR/Instrument inputs among other add-ons.
There are nearly an infinite number of combinations of effects pedals available. We will take a look at distortion pedals, delay pedal, chorus pedals, and a few more. These are a few types of different popular guitar pedals and is a guide aimed at beginning guitarists.
Recording in your home can lead to all kinds of unwanted noise on your tracks. Unwanted noise can be as simple as snaps, crackles, pops, signal hiss and even noises from the street. A variety of noise reduction techniques are now available through plugins: here’s an overview of these solutions.
DI boxes can be one of the most important tools in your studio, though their function is often a bit misunderstood. Here we look at the difference between passive and active direct boxes. We also look at the common uses of these boxes in general.
Ford announced integration with Rhapsody at the 2013 CES that allows hands-free control of the service. Ford will be adding Rhapsody streaming service to 1 million cars, including 2013 models. The company also launched a developers program to allow outside apps for its cars.
Like a compressor, a limiter often is misunderstood. In fact, a limiter is just a compressor used on extreme settings. Here we take a look at how this works, and what each is used for.
Many home recording engineers like to use virtual instruments to achieve a wider sonic scope on their recordings. Two products from Native Instruments help expand these options. The first product is Native Instruments Komplete 9 and the second is Native Instruments Abbey Road 50s Drummer.
Phantom power is a necessity for recording with condenser mics, but it often is slightly misunderstood. Here we look at exactly what phantom power is and when it should (and shouldn’t) be used. We’ll also take a look at how to supply the power you need in your studio.
Spotify CEO Daniel Ek suggests that licensing music by territory is “antiquated.” Ek talks about how music on the internet can play worldwide but yet it licensing is still tied down to traditional music distribution methods. Would creating worldwide rights be advantageous to today’s artist?
The legendary Roland TR-808 drum machine (and its successor the 909) has appeared on many legendary recordings. Today, you can get simulators of these drum machines on most recording software packages, and they can be great for home studio owners that aren't working with live drums. However, often times the punch from the kick from the machines is lacking – here are a few tips for a punchier drum machine kick.
Two House Representatives have formed the Creative Rights Caucus to raise awareness for artist rights. The group joins the Songwriters Caucus and the RASCC to help promote copyright law for musicians. The Songwriters Caucus was formed in 2003 and the RASCC was formed the following year.
AES conventions are typically filled with the latest and greatest gear for the audio industry. The 135th incarnation of the event, held in New York this year, was no different. We take a look at a few notable products featured at the event.
Nirvana’s third album ‘In Utero’ is 20 years old now, which calls for an anniversary box set including a remastered album. Steve Albini, who originally recorded the record, was brought on to help with the project. He recently spoke about the remastering process for the album.
